It's what makes his music so radiant and refined.Īt the age of 92, Khayyam has passed into the ages but his legacy will mesmerise generations for years to come. And then there was no looking back.īut the recipient of honours like Padma Bhushan, Sangeet Natak Akademi and the National Award never turned his skills into a sweatshop.Įver a believer in quality over quantity, Khayyam stuck to his principles and resisted even a hint of compromise. Initially, he teamed up with Rehman Verma under the pseudonym, Sharmaji-Vermaji, with Heer Ranjha marking their first ever collaboration.įollowing Verma's decision to stay in Pakistan after Partition, Khayyam reverted to his own name for the Dilip Kumar-Meena Kumar starrer, Footpath. By the time he had gained some experience, an acting career no longer looked feasible and he took to composing instead. His spellbinding melodies gave wings to poetry and enriched the history of Hindi film music.īut the man behind such awe-inspiring music started out wanting to be in front of the camera.īorn on February 18, 1927, near a small town outside Jalandhar, Khayyam had no interest in studies.īack then, film schools were unheard of, so he traveled to Lahore's Ghulam Ahmed Chishti aka Baba Chishti, requesting the Pakistani veteran composer to take him under his wing and teach him music. Razia Sultan represented the peak of the third wave of Indian cinema and when compared to other celebrated works of this time, represents an era of heightened reception towards poetry and melody.Few embody William Shakespeare's golden words like Mohammad Zayur Khayyam Hashmi.Īn unmistakable serenity enveloped his songs that transported the listener to an alternate universe where dreams and desires found sanctuary.
#Razia sultan jalta hai badan movie
He decided to have Kabban Mirza, a radio jockey/ announcer on Indian radio station Vivid Bharati, sing two songs in the movie - "Aaye Zanjeer Ki Jhankar" and "Tera Hijir Mera Naseeb." It turned out that his heavy shivering voice was quite a refreshing change from the others. The film director Kamal Amrohi decided to use an unusual voice for the character of the slave in the film using playback.
The same theme is found in "Jalta Hai Badan" sung by Mangeshkar and written by Kaifi Azmi, though it takes a very diverse inspirational direction. The song is a masterful prosaic interpretation of the soul's wandering infused with sublime yearning. Though Mangeshkar had sung for Khayyam earlier, her graceful rendition on "Ae Dil-e-Nadaan" is a milestone in her long, illustrious career. It was also to a large extent a comeback for Lata Mangeshkar. Razia Sultan carried the similar tone of soothing, lilting melodies. Whatever the case might be, Khayyam composed a string of wholesome, highly regarded albums from the late '70s onward, including Kabhi Kabhi, Umrao Jaan, and Bazaar. Yet on the other hand, many critics attribute the rise of Ghazals to the lyrically affluent music of Khayyam. Khayyam's true genius lay in the genre of ghazals, and this era saw an accelerated appreciation for this style and thus the soaring success of the music of Khayyam. It's ironic that the best work of Khayyam came at a time when Indian music was beginning to deteriorate in quality as well as popularity.